Annotated Bibliography for Sources

Fargis, Paul .The New York Public Library Desk Reference - 3rd Edition. Macmillan
General Reference. pp. 262. ISBN 0-02-862169-7.

This article explores more in detail Rueben’s Baroque style. It states how some of the concepts in the drawing he did about Venus were shaped by Titian concepts.

“Titian and the Late Renaissance in Venice.” The Collection: National Gallery of Art.
NGA.gov. Washington, DC: 2010. 26 April 2010. Web.
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The online source displays the way in which Titian constructed and painted his painting Venus with a Mirror. It talks about the date of the painting, the concept behind the painting, and also different art forms seen in the painting.

“Titian’s Venus of Urbino.” Employees.oneonta.edu. 26 April 2010. Web.
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This source shows how Titian’s Venus of Urbino contributed to the art form of Titian’s Venus with a Mirror. Some of the same concepts were present such as the detail in art and form and content.

“Venus with a Mirror.” Venice. Venice.umwblogs.org. University of Mary and
Washington .27 April 2010.Web.
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The article presents more of a detailed over of the painting by Titian and some other inspirations that stemmed from the painting.

“Timeless Beauty or, The Once and Future Aesthetic.” Judgementofparisseurvey.com. 27
April 2010. Web.< http://www.judgmentofparis.com/timeless.htm>
Explores the idea of the Venus with the Mirror painting. Also deals with the theme of timeless beauty that the painting evokes.

Speight, Rachel. "From A Muzzle for Melastomus." The Norton Anthology of English Literature. New York: W.W. Norton, 2006. 1546-549. Print.

This piece of literature was used in comparing Speight's ideas in the piece with the painting at hand. We used the piece to help critique the painting from the ideals of the women, which are presented in Speight's essay.

Swetnam, Joseph, and .. "From The Arraignment of Lewn, Idle, Froward and Unconstant Women: Or the Vanity of Them, Choose You Whether." The Norton Anthology of English Literature. New York: W.W. Norton, 2006. Print.

This piece of literature was used in critiquing the painting from the man's point of view during that time period. By looking at Swetnam's argument we were able to take some of his arguments about the woman and see if they adhered in this painting.